OPEN STUDIOS AUGUST 2018

Next August 25th, at 9pm, we will carry out our monthly Open Studios’ night. We invite you to join us at Centro Negra to experience the artworks of Mirel Torun (Sydney/Izmir), Andrea Peña (Bogotá / Montreal), Carol Rashawnna (Washington), María Velasco (Madrid / Kansas), Clara J: son Borg (Jönköping / Rotterdam), Amélie Créac’h (Seoul / Nantes) and Sofian Jouini (Nantes).

The main interest among them is the understanding of choreography, what provoques it on an unconscious level, and how much our body movement is defined by its surroundings.
Some other artists are working around the subjectivity of the local inhabitants or of their own, working with techniques as sculpture, photography or textile art.

 

Andrea Peña (Bogotá / Montreal)

Andrea Peña is a Colombian, Montreal based, multidisciplinary artist within the fields of choreography and design. Her works are focused on the creation of critical, alternative, performative and spatial.
Universes that question the individual within society, to bring about a consciousness of self within the public and audience. Artistic Director of Andrea Peña & Artists, founded in 2014, the dance company is recognized nationally and internationally, touring locally and abroad.
Peña’s work has been commissioned by Montreal’s prestigious Musee des Beaux Arts, Canadian Center for Architecture, Laval Symphony Orchestra, the 375th Anniversary of Montreal, amongst others.

Commercially, Andrea has worked for top Montreal fashion brand RUDSAK as Creative Director, spearheading the company’s full visual direction and creative content channels. Peña is currently undergoing a masters at Concordia University starting September 2017, awarded the Dora and Avi Morrow Fellowship for Excellent Achievement in Visual Arts. Academically Peña has worked with Concordia Chair of Design Department, PK Langshaw for an extensive exhibition presented at the FOFA Gallery in 2016 and has been the recipient of two Concordia Undergraduate Student Research Awards. Peña is a TA within the Masters Engineering Department, for courses focused on Critical Design and Innovation. Her artistic creations have been supported by artistic residencies from Topological Media Lab Concordia, Hexagram Concordia, Circuit- Est Centre Choreographic Residency, Ionion Arts Center Greece, FIDCDMX in Mexico.

Peña’s creations are financially funded through grants from Conseil Des Arts et Lettres Du Quebec and Canada Arts Council.

Carol Rashawnna (Washington)
Currently, in America, politics ARE the stage of ‘real tv drama’s’, in which she finds herself confused by the current state of our cultural environment.
Concerned about her country being more focused on capitalism than concerned about climate change. Every day, she feels like waking out of a dream and go to bed to a global nightmare. As an African American, the state of what’s occurring there, ie. the displacement of the ‘African American’, through a silent erasure and elimination (contemporary genocide) via legislation, doctrine of abortion, the prison industrial complex, killings by police, gentrification and food deserts, she feels an urgency to leave the country to gain a clearer perspective of her role as
an artist. While migro-agressions in her country are getting worse, she is interested in the common good.

As an artist who deeply cares about the environment, she would like to utilize her time in Spain to slow down, explore her relationship to the land and learn about the river Segura that runs through Blanca. She is willing to do a project focused on climate change, the people and culture in that area.
Her medium are painting/mono-prints and installations, also interested eco-and land art, or art that is regenerative she would love to develop eco-art with mono-print installation.

María Velasco (Madrid / Kansas)
María Velasco is a Spanish-born artist who has been living and working in the US since 1991.
Her works consists of ephemeral interventions in nature in a way that is emphatically corporeal described as earth-body art. A sculptural practice involving private performances striving for a communion between body, nature and art. Her human-scale works explores the links between humanness and the natural world but rarely use her body as a literal
representation of herself. She deals with body art, photography, video and performance. Composing interventions visually and sculpturally while seeking to know through direct experience the essential, sacred nature of the cosmos.

She has shown her work nationally and internationally in prestigious contemporary art venues such all around USA like in Minneapolis, Santa Barbara, Chicago, Kansas City, Saint Joseph, or NY.
Internationally, she has exhibited in Madrid, Paraguay Darmstadt, Mexico, Argentina and Morocco.
Her work appears in prestigious publications. She was Artist-in-Residence at Sculpture Space (2007) and International Artist-in-Residence at ProyectoAce, in Buenos Aires, Argentina (2012). In 2016, she was Artist-in-Residence at Green Olive Arts, in Tetouan, Morocco.
Velasco received her Bachelor’s Degree in Painting from the Universidad Complutense in Madrid (1989), and her Master of Fine Arts in New Genre from the University of California at Santa Barbara (1993). She is an Associate Professor of Visual Art at the University of Kansas, and teaches courses in Installation Art, Drawing, Participatory Art, and Professional Practices for artists

Clara J:son Borg (Jönköping / Rotterdam)

Clara J:son Borg is a Swedish artist based in Rotterdam (NL). Her artistic research is directed towards ontologies surrounding the human body, its possible performance strategies, political subjects and post-dance theories. Though movements experimentation, spoken word, video and text she sets up situations in which cognitive, emotional and kinetic processes are able to enact and fit loosely to one another. An act and a looseness, which she understands as an invitation to observe elements of interpersonal relationships, social choreographies and knowledge hierarchies.

Clara holds a BA from HDK Steneby, Gothenburg University (SE, 2012) and an MA from The Piet Zwart Institute, Rotterdam (NL,2016). She has been a resident the XXI CSAV-Artist Laboratory
Materials for performance, led by Yvonne Rainer, Fondoazione Ratti, Como
(IT), Body as Site, Banff Centre, Banff (CAN) and Hordaland Kunstsenter, Bergen (NO). Her work has recently been showed at Yellow Brick, Athens (GR), 13festivalen, Gothenburg (SE) ONONO, Rotterdam (NL), Österängens Konsthall, Jönköping (SE), Now&After international video festival, Moscow (RUS), de Appel, Amsterdam (NL), and Oktoberdans2016, Bergen (NO).

Clara is granted by CBK Rotterdam and by Mondriaan Fund in the Netherlands.

Amélie Créac’h (Seoul / Nantes)
When asked about her first memories as an architect, Amélie invariably answers, “a painter’s studio and a dance studio.” Indeed she was introduced to these two disciplines from an early age. Painting taught her to pay close attention to light and color, while dance enabled her from very early on to experiment with the relationship between the body and space-time.
After spending a year in a college-prep scientific course, she was accepted into the architecture program of the Institute of Applied Sciences in Strasbourg. From then on, her career bears witness to a constant interest in research, habitat and urban issues. In 2008 she presented her architectural graduation dissertation project on the renewal of a working-class neighborhood in Brest, which she developed in collaboration with a local association of artists.
She worked for several town-planning agencies and placed in charge of widely varying projects such as neighborhood creation in the major cities, regulatory studies for rural and urban towns and urban renovation projects. She then joined the Sophie Delhay architecture agency where she coordinated teams and the follow-up of experimental collective housing projects.
She settled in Nantes in 2016 where she divides her time between exploring the coastal and island regions of the world (Asia Tour, Learning from Hawai’i) and following up her first projects for individual housing and interior design.

Supported by Institut Français and Ville de Nantes.

Sofian Jouini (Nantes)
Born in Nantes, Sofian spent the first seven years of his life in Tunis, then moved to France. In 1999 he follow in the footsteps of his elder brother and joined a hip-hop dance school. With other enthusiasts, he formed the KLP company. The first performances were written collectively.
In 2008 he wrote Insolents Solistes with Brice Bernier. In 2011 he wrote Tour of Duty, a plunge into the heart of the history of New York and hip-hop. The piece was first performed in Nantes, followed by a run at Paris’ Théâtre des Abbesses and eventually in the United States. On the strength of this momentum, the following season he produced a dance concert featuring the KLP dancers and the BackPack Jax musicians and rappers, performed in the United States.
After a few more years with the group, Sofian continues to experiment on his own. He is especially fascinated by the relationship with constructed space and the bonds he can create between body and mind. In 2015 he worked with the Ecole Nationale Supérieure d’Architecture in Nantes to develop a fairground set-up for the performing arts.
In 2016 he began the Natures project, inspired as a reaction to the growing alienation of individuals’ mobility in their everyday lives, sedentary lifestyles and the extreme rationalization of ways of life. He uses this project to explore the capabilities of contemporary human bodies – his own, of course, but also those of the public and the dancers he meets in workshops.

Supported by Institut Français and Ville de Nantes.

Mirel Torun (Sydney / Izmir)

Mirel Torun is an artist living and working in Izmir, Turkey. Born in Sydney, Australia and graduated from Department of Performing Arts. Worked as editor and editor in chief in the editorial department of several plastic and visual arts magazines. Worked as visual consultant at Theater Madrasah. Did visual studies for 3 months on body, voice and effects of space-use on movement. Works on body and movement for a decade. Gave lectures on improvisation techniques. Was the art director for a solo stage performance composed of a collection of Charles Baudelaire’s poems in Izmir French Cultural Centre . Exhibitions and Residencies “7”, İzmir State Kültürpark Art and Sculpture Museum, 2014 “Small Worlds”, Installation of “2kg flour bag” curated by Stefan Bohnenberger, K2 Contemporary Art Center, İzmir, 2015. Non-invasive species, group exhibition, in Guadeloupe, Mogadishou and Minneapolis, 2016 Body, Object and Space, The Boiler Film Club, New York, 2016 Beetime Artist Residency Scholarship and Exhibition, Santa Lucia, Vejer de la Frontera, October, 2016 Art Quarter Budapest Artist Residency, April 2017. Participating Art Budapest Week Open Studio. Arteles Art Residency in Finland Scholarship, July 2017. Participating Open Studio. ALSO Poetic story called Milk Shake aired on Ege FM.


Open Studios September 2018

Next Friday, September 21, at 9pm., we open to the public to share the process of the artists in residence of AADK: Mirel Torun (Sydney/Izmir), Mariana Carvalho (São Paulo) and Aurora Rodríguez (Alicante), along with the interventions of some of the artists on the platform.

You can also participate in an open session of sound improvisation with Selu Herraiz, Josman P#, Úrsula Bravo, Pia Achternkamp, Mariana Carvalho and whoever wants to join to play.

Abraham Hurtado has prepared a photographic set to make portraits that can become part of one of the works in which he is currently immersed. In addition, Daniel Hernandez will show the video “Master Fail Piece 1” with sound landscape live Josman P#.

Mirel Torun (Sydney/Izmir)
Mirel Torun is an artist living and working in Izmir, Turkey. Born in Sydney, Australia and graduated from Department of Performing Arts. Worked as editor and editor in chief in the editorial department of several plastic and visual arts magazines. Worked as visual consultant at Theater Madrasah. Did visual studies for 3 months on body, voice and effects of space-use on movement. Works on body and movement for a decade. Gave lectures on improvisation techniques. Was the art director for a solo stage performance composed of a collection of Charles Baudelaire’s poems in Izmir French Cultural Centre . Exhibitions and Residencies “7”, İzmir State Kültürpark Art and Sculpture Museum, 2014 “Small Worlds”, Installation of “2kg flour bag” curated by Stefan Bohnenberger, K2 Contemparary Art Center, İzmir, 2015. Non-invasive species, group exhibition, in Guadeloupe, Mogadishou and Minneapolis, 2016 Body, Object and Space, The Boiler Film Club, New York, 2016 Beetime Artist Residency Scholarship and Exhibition, Santa Lucia, Vejer de la Frontera , October, 2016 Art Quarter Budapest Artist Residency, April 2017. Participating Art Budapest Week Open Studio. Arteles Art Residency in Finland Scholarship, July 2017. Participating Open Studio. ALSO Poetic story called Milk Shake aired on Ege FM.

Aurora Rodríguez (Alicante)

Aurora has studied Fine Arts at the University of Murcia, at the Complutense University of Madrid and at the University of Guadalajara (Mexico). Aurora has developed an artistic career whose main interest is to interpret art in a multidirectional and multidisciplinary way, understanding art as a natural consequence of the environment and its needs.
In her work, mostly conceptual (as a base and starting point) it reflects on the relationship between the individual and and the society, and the interdependency with the territory, using individual actions as a subject with which to work.

Mariana Carvalho (São Paulo)

Mariana Carvalho is pianist, improviser and performer. From her improvisation works, her interest has expanded to working with the body, gender and a transdisciplinary perspective. She has entered into sound experimentation introducing objects inside and outside the piano and exploring corporalities though eutony. Her current interest is to weave relationships between sound and space in the form of installations, expanded sound bodies, free improvisation, dance and feminism.

She completed her degree in piano at the University of São Paulo. She is part of the Sonora network – music and feminisms and of NuSom – Research Centre on Sonology of the USP, and Orquesta Errante, free improvisation group. She has researched relations between eutonia and free improvisation in scientific initiation, with FAPESP scholarship, supervised by Rogério Costa. She was part of Camerata Profana, ensemble of contemporary music, Coro Profana, vocal laboratory, Insólita Assemble colective and performance nucleus AANGA, directed by Miriam Dascal. She worked in theater as a musician with Club Noir and Lacuna Coletiva. She performed in Argentina, Germany, Mexico, Rumania and several places in Brasil.


Madrid Gallery Weekend
In this cultural event organized by Arte Madrid, Blanca Soto Gallery presents the new work of Sergio Sotomayor “Spyhole”.
The exhibition is curated by Elena Azzedin (AADK), and for the opening, the artist Selu Herraiz (AADK) will create a soundscape inspired by the latest work of Sotomayor. Exhibition period from September 13th to October 31st.

 

“História Nº5” Pedro Lobo (Bloque Emergente)
Bloque Emergente is an annual fashion event consolidated as a platform in 2017 integrated by some of the emergent brands of Murcia Region: Pedro Lobo, Constanza Mas, Las Culpass, Anonimatto y Corbalán Studio.
Abraham Hurtado has been invited by Pedro Lobo for the presentation of his new collection “Historia Nº 5”. Hurtado creates a performance inspired in the universe generated by this fashion designer..
The presentation will be held on Saturday the 22nd of September, at Centro Párraga.
+info:

Centro Párraga

Pedro Lobo

 

Primitive Dinners
AADK launches a series of gastronomic events with the intention of exploring the identity of the territory through the cuisine of the Ricote Valley. For this, in September, we will count on the wise hands of the Blanqueña sisters Piedad and Matilde (Las Primitivas) who will design the “Primitive menu” with typical recipes transformed and merged for the occasion.
“Primitive dinners” are born in the heart of the Peña Negra district offered at Casa Jazmín and El Patio next to the Centro Negra.

+ info:
Facebook
Only with reservation / casajazmin@aadk.es
Casa Jazmín / The Patio
Calle del Castillo, 39-42
14th September / 21st September at 10.00 p.m.


Copper Lands

Elena Azzedin and Selu Herraiz (AADK Spain) in collaboration with Lina Sofia Lundin, explore and intervene in rural and peripheral artistic spaces of Sweden.

-August 16th. Art Lab Gnesta. Conversation with Carolina Malmstrom about Art in the peripheries.
-20 August. Exploration and sound experimentation at the Stora Hyttnäs Museum (Sundborn).
-23 August, on the occasion of “The Gathering – Rehearsal” Falun. Concert “All will be frozen” Selu Herraiz. Intervention “Wool-F” Elena Azzedin. “Teñido natural, cuerpo y sonido”, Lina Sofia Lundin
With the support of Konstfrämjandet

Facebook event


Open Studios July 2018

Next July 28th, at 9pm, we will carry out our monthly Open Studios’ night. We invite you to join us at Centro Negra to experience the artworks of Chad Erpelding (Iowa / Idaho), Andrea Peña (Bogotá / Montreal), Carol Rashawnna (Washington), María Velasco (Madrid / Kansas), Bianca Lee (Florida), Clara J: son Borg (Jönköping / Rotterdam), are the artists in residence of the month of July.

These artists work in various disciplines such as painting, printmaking, performance or land art, with a strong interest on the political and environmental contemporary issues.

 

Chad Erpelding (Iowa / Idaho)
Chad Erpelding is a painter/printmaker/digital media artist whose work utilizes data visualization and systems-based strategies to explore global institutions. Through extensive research of corporations, political systems, governmental organizations, stock markets, etc., he looks to discover various representations of global networks and activities. His work challenges viewers to consider their relationships with these institutions while reevaluating their understanding of place in a global community.

Recent exhibitions include solo exhibitions at the Modern Art Museum, Yerevan, Armenia; Pinebox Art Center, Baltimore, Maryland; Nagoya Zokei University, Nagoya, Japan; and Alberta Printmakers Gallery, Calgary, Alberta, Canada.
He’s been included in group shows in the Philippines, Argentina, France, Italy, South Korea, Russia, Bulgaria, Hungary, Canada, and Mexico as well as throughout the US. He’s been awarded artist residencies in Buenos Aires, Argentina, Marnay-sur-Seine, France; and Yerevan, Armenia.
Erpelding received an MFA from Southern Illinois University Carbondale and is currently a Professor of Drawing and Painting and the Graduate Program Director at Boise State University in Boise, Idaho, US.

Andrea Peña (Bogotá / Montreal)
Andrea Peña is a Colombian, Montreal based, multidisciplinary artist within the fields of choreography and design. Her works are focused on the creation of critical, alternative, performative and spatial
universes that question the individual within society, to bring about a consciousness of self within the public and audience. Artistic Director of Andrea Peña & Artists, founded in 2014, the dance company is
recognized nationally and internationally, touring locally and abroad.
Peña’s work has been commissioned by Montreal’s prestigious Musee des Beaux Arts, Canadian Center for Architecture, Laval Symphony Orchestra, the 375e Anniversary of Montreal, amongst others.
Commercially, Andrea has worked for top Montreal fashion brand RUDSAK as Creative Director, spearheading the company’s full visual direction and creative content channels. Peña is currently undergoing a masters at Concordia University starting September 2017, awarded the Dora and Avi Morrow Fellowship for Excellent Achievement in Visual Arts. Academically Peña has worked with Concordia Chair of Design Department, PK Langshaw for an extensive exhibition presented at the FOFA Gallery in 2016 and has been the recipient of two Concordia Undergraduate Student Research Awards. Peña is a TA within the Masters Engineering Department, for courses focused on Critical Design and Innovation. Her artistic creations have been supported by artistic residencies from Topological Media Lab Concordia, Hexagram Concordia, Circuit- Est Centre Choreographic Residency, Ionion Arts Center Greece, FIDCDMX in Mexico.

With the support of LOJIQ, Concordia University and Canada Council for the Arts. “We acknowledge the support of the Canada Council for the Arts, which last year invested $153 million to bring the arts to Canadians throughout the country.”

Carol Rashawnna (Washington)
Currently, in America, politics ARE the stage of ‘real tv drama’s’, in which she finds herself confused by the current state of our cultural environment.
Concerned about her country being more focused on capitalism than concerned about climate change. Every day, she feels like waking out of a dream and go to bed to a global nightmare. As an African American, the state of what’s occurring there, ie. the displacement of the ‘African American’, through a silent erasure and elimination (contemporary genocide) via legislation, doctrine of abortion, the prison industrial complex, killings by police, gentrification and food deserts, she feels an urgency to leave the country to gain a clearer perspective of her role as
an artist. While migro-agressions in her country are getting worse, she is interested in the common good.

As an artist who deeply cares about the environment, she would like to utilize her time in Spain to slow down, explore her relationship to the land and learn about the river Segura that runs through Blanca. She is willing to do a project focused on climate change, the people and culture in that area.
Her medium are painting/mono-prints and installations, also interested eco-and land art, or art that is regenerative she would love to develop eco-art with mono-print installation.

María Velasco (Madrid / Kansas)
María Velasco is a Spanish-born artist who has been living and working in the US since 1991.
She has shown her work nationally and internationally in prestigious contemporary art venues such all around USA like in Minneapolis, Santa Barbara, Chicago, Kansas City, Saint Joseph, or NY.
Internationally, she has exhibited in Madrid, Paraguay Darmstadt, Mexico, Argentina and Morocco.
Her work appears in prestigious publications. She was Artist-in-Residence at Sculpture Space (2007) and International Artist-in-Residence at ProyectoAce, in Buenos Aires, Argentina (2012). In 2016, she was Artist-in-Residence at Green Olive Arts, in Tetouan, Morocco.
Velasco received her Bachelor’s Degree in Painting from the Universidad Complutense in Madrid (1989), and her Master of Fine Arts in New Genre from the University of California at Santa Barbara (1993). She is an Associate Professor of Visual Art at the University of Kansas, and teaches courses in Installation Art, Drawing, Participatory Art, and Professional Practices for artists.

Bianca Lee (Florida)
Her works consists of ephemeral interventions in nature in a way that is emphatically corporeal described as earth-body art. A sculptural practice involving private performances striving for a communion between body, nature and art. Her human-scale works explores the links between humanness and the natural world but rarely use her body as a literal representation of herself. She deals with body art, photography, video and performance. Composing interventions visually and sculpturally while seeking to know through direct experience the essential, sacred nature of the cosmos.

Clara J:son Borg (Jönköping / Rotterdam)
Clara J:son Borg is a Swedish artist based in Rotterdam (NL). Her artistic research is directed towards ontologies surrounding the human body, its possible performance strategies, political subjects and post-dance theories. Though movements experimentation, spoken word, video and text she sets up situations in which cognitive, emotional and kinetic processes are able to enact and fit loosely to one another. An act and a looseness, which she understands as an invitation to observe elements of interpersonal relationships, social choreographies and knowledge hierarchies.
Clara holds a BA from HDK Steneby, Gothenburg University (SE, 2012) and an MA from The Piet Zwart Institute, Rotterdam (NL,2016). She has been a resident the XXI CSAV-Artist Laboratory
Materials for performance, led by Yvonne Rainer, Fondoazione Ratti, Como
(IT), Body as Site, Banff Centre, Banff (CAN) and Hordaland Kunstsenter, Bergen (NO). Her work has recently been showed at Yellow Brick, Athens (GR), 13festivalen, Gothenburg (SE) ONONO, Rotterdam (NL), Österängens Konsthall, Jönköping (SE), Now&After international video festival, Moscow (RUS), de Appel, Amsterdam (NL), and Oktoberdans2016, Bergen (NO).

Clara is granted by CBK Rotterdam and by Mondriaan Fund in the Netherlands.


Collective body, collective voice.

From 2nd to 8th of July 2018 the Transloca group will develop a collaborative work based on the proposals of some of its members, being this time: Andrea Moeller (Leeuwarden), James Washington Simbouras (Athens), Kris Limbach (Berlin), Sebastian Lingserius (Stockholm), Dagmara Szastak-zieba and Tamara Kamińska (Katowice), Selu Herraiz and Elena Azzedin (Blanca). They will create a series of performative, visual and sound art interventions together with local artists and local communities from the peripheral neighborhoods of Katowice.


This course is oriented towards the study of the concepts, procedures, and techniques necessaries for the creation of artistic productions in the fields of experimental music and sound art, as well as to acknowledge the concepts of acoustic ecology and develop the ability to listen in new ways.

The course is developed in the format of an art residency, providing a coexistence space with the working group, as well as a more intimate relationship between the participants and the surrounding territory.

Modul 2 – Electroacoustic composition.
18th to 23rd of June 2018
Guided by: Carlos Suárez
Organized: AADK Spain
Co-founded: Daniel and Nina Carasso Foundation

More info about whole course: No Master Dossier


Open Studios June 2018

Next June 23th, at 8pm, we will carry out our monthly Open Studios’ night. We invite you to join us at Centro Negra to experience the artworks of Soyoung Park (Canada), Pilar Yvonne (USA), Clara J: son Borg (Sweden) and Tiana Hemlock-Yensen (Germany / Australia). They are the artists in residence of the month of June, and each of them base their work on the body and its relation / affect with specific environments.

With very diverse approaches, their interest go from the question of borders, the performativity of daily objects, the creation of fictional environments, to the narratives that the body and its capacities / limitations displays.

Soyoung Park (Canada)
Is a visual artist who studied Interactive Art, since then, improvisation has been at the heart of her work, pursued graduate studies in London, focusing on intuitive understanding in attaining the intention of art; improvisation soon became her method for merging visual art and dance.

She was then invited to present her work in Canada, Portugal, Switzerland, and Sweden. In 2015 and 2016, Soyoung performed in the Seoul International Improvisation Dance Festival. In 2016, I studied Zen Buddhist yoga for meditation in Korea in order to better understand the mind in the act of improvisation, and she participated in workshops and residency programs in Germany that same year. While contemplating improvisation through movement, sheI expanded the idea of improvisation to her practice of visual art by employing everyday objects as her subjects and her media. Park started to use organic materials, which change their colors and shapes over time. This led her to be an artist-in-residence in Korea on ‘Nature Art’ and improvisation in 2016, and in France in 2017. In addition, she was invited to participate in art camps in Romania, and in movement workshops for an annual festival in Topolò, Italy.

With the support of Canada Council for the Arts. “We acknowledge the support of the Canada Council for the Arts, which last year invested $153 million to bring the arts to Canadians throughout the country.”

 

Pilar Yvonne (USA)
Pilar is a choreographer and freelance dancer in Philadelphia, USA; previously based in New Orleans, Montréal, and Minneapolis. Her various places of home and travels continue to provide Pilar with new challenges and environments to engage with. Her choreography has often been rooted in improvisational beginnings and at times improvisational performances. She is challenging herself now to delve deeper into her ideas to find clearer vocabularies and nuanced visions. She finds inspiration for her work from reading a lot of sci-fi, seeking solitude, and practicing activities unassociated with dance. Pilar wants her work to engage people of all backgrounds, and to give them entrance into alternate realities. She believes in the power of a spectacle, and seeks to create atmospheric pieces that feel otherworldly. Following her participation at AADK, she will be a resident artist at Urban Movement Arts, in Philadelphia, where she will be developing her research from AADK into a larger work. She is currently dancing for Caroline O’Brien, Alchemy Dance, and Jessica Warchal-King. She has trained extensively in modern, contemporary and ballet, as well as hip hop, jazz, West African, contemporary Indian, Gaga, and contact improv.

Pilar resorted to Kickstarter to help finance the stay at Centro Negra AADK Spain.

Clara J:son Borg (Sweden)
Clara J:son Borg is a Swedish artist based in Rotterdam (NL). Her artistic research is directed towards ontologies surrounding the human body, its possible performance strategies, political subjects and post-dance theories. Though movements experimentation, spoken word, video and text she sets up situations in which cognitive, emotional and kinetic processes are able to enact and fit loosely to one another. An act and a looseness, which she understands as an invitation to observe elements of interpersonal relationships, social choreographies and knowledge hierarchies.

Clara holds a BA from HDK Steneby, Gothenburg University (SE, 2012) and an MA from The Piet Zwart Institute, Rotterdam (NL,2016). She has been a resident the XXI CSAV-Artist Laboratory
Materials for performance, led by Yvonne Rainer, Fondoazione Ratti, Como
(IT), Body as Site, Banff Centre, Banff (CAN) and Hordaland Kunstsenter, Bergen (NO). Her work has recently been showed at Yellow Brick, Athens (GR), 13festivalen, Gothenburg (SE) ONONO, Rotterdam (NL), Österängens Konsthall, Jönköping (SE), Now&After international video festival, Moscow (RUS), de Appel, Amsterdam (NL), and Oktoberdans2016, Bergen (NO).

Clara is granted by CBK Rotterdam.

 

Tiana Hemlock (Germany / Australia)
Tiana Hemlock-Yensen is a dancer, writer, choreographer, teacher graduated from the S.N.D.O, Amsterdam in 2016 with a bachelor in Choreography. Before moving to Europe she performed and made work in NYC from 2008- 2012. She has a deep interest in the intimate and personal while continually questioning whether there is anything concrete about being a person anyway. Her works are informed by ritual and obsession, by intense physical practices, by extensive reading and by looking to identify the specific machines and constructions that we coproduce ourselves with. She is generating site specific performance work during her AADK residency in Murcia, Spain supported in part by the European Cultural Foundation’s STEP Travel Grant. She looks for and works around how to build meaningful fictions and connections of all kinds for the futures. Tiana is currently part of the Klein Technique Teacher Certification Program and is making her own work as well as touring as a dancer in Europe and the world.
Tiana has the pleasure of often working with and/or performing for Cristina Kristal Rizzo, Oneka von Schrader, Giulio D’Anna, Juli Reinhartz, Jeremy Wade and Benjamin Kamino and continues to draw physical and artistic inspiration from Maria F. Scaroni, Judith Sanchez Ruiz, Katie Duck, Ria Higler and Susan T. Klein.

This residency is supported partially by the STEP Travel Grant financed by European Cultural Foundation.


Festival of Experimental Musique and Collective creation del Valle de Ricote

 

 

This Festival is an encounter of musicians with very diverse styles, ages and backgrounds: De la Raíz al Noise (From Roots to Noise) is the first experimental music and collective creation festival of the Ricote Valley.

Date: 23 – 06 – 2018
Hours: 8.00pm – 2.00am
Location: Centro Negra, Blanca. Calle del Castillo 30.
Organized by: AADK Spain
Co-founded by Daniel and Nina Carasso Foundation

FREE ADMISSION

 

 

 

 

 

Program

Collective works:
Deep listening Lab (Children group of Sonora, Blanca)
The roaming ensemble (Musicians of the Region)
La orquesta exploratoria (Grupo la capaza, Blanca)
Nacho Muñoz (Galicia)
Josep Lluís Galiana (Valencia)
Carlos Suárez (Galicia)

Individual sets:
Pia Achternkamp aka Loh (Berlin)
Selu Herraiz (AADK, Murcia)
Dj Shak (Barcelona)

Sound Installations:
Art interventions made by the participants of the NoMaster


Next May 26th we will carry out our monthly Open Studios’ night. We invite you to join us at Centro Negra to take a look at the artworks of the artists in residence: Tiana Hemlock-Yensen (Germany / Australia); Mara Marxt & Tyler Lewis (Austria / USA); Ron Wild (Canadá); Sol Depetris and and Ezequiel Manasseri; Marianela Casado and Lucas Tibaldi (Argentina). Starting at 9:00 p.m. Open Canteen.

 

·Mara Marxt Lewis and Tyler Lewis ( Austria / U.S.A)

Mara and Tyler are visual and sound artists respectively.-wife and husband duo- began collaborating in 2013 at the Banff Centre, Canada. Their immersive multimedia artworks have continued to be the main focus of their collaborative practice as their working relationship strengthens and evolves with each piece. In their practice they focus on the complex relationship between humankind and nature, believing that how we engage with our natural environment is at times harmonious and other times oblivious. They present both of these perspectives in installation artworks using found objects, photography and audio-recordings to place elements of the natural world in dialogue with those of modern humanity. They participated in artist in residence programs in Scotland (Common Ground Residency), Germany (Pilotenkueche), Canada (The Banff Centre), United States (Elsewhere Studios) and even organized their own residence program in Seattle area (With the berries). Their work has been shown in venues in Scotland, Canada, the United States and Germany. Their artwork has been commissioned by Nuit Blanche Calgary in Canada, and the public art department of Klagenfurt, Austria.
They currently live and work in Glasgow, Scotland and Graz, Austria.

 

·María Sol Depetris and Ezequiel Adelmo Manasseri (Argentina)

Depetris and Manasseri -couple and partners in work and life- are architect by the Faculty of Architecture, Planning and Design of the National University of Rosario, UNR.
In 2015, they founded the architecture studio MANASSERIDEPETRIS, dedicated to design, art, architecture and urban planning. During 2016 they started a research project about techniques and trades of craftsmen to experiment with different materials and processes, resulting in CITRINO -a furniture design enterprise.
In 2009 Ezequiel received the award for Best Project of Graduation Archiprix International Award -local instance- and in 2011 he obtained the mention PF in the international instance in MIT, Boston, Massachusetts. Between 2010 and 2014, he have participated in the subject Architectural Project of the chair of Dr. Aníbal J. Moliné. He was the coordinator and jury of the contest for the selection of the Best Graduation Project of the FAPyD, Archiprix International Award, Local Instance, 2013 and 2015 Edition.
María Sol, from 2007 to 2015, served as Assistant Secretary for Extension of the FAPyD and
between 2009 to 2010 she participated as a Student Counselor in the Independent Domino Group to be part of the Board of Directors. In 2009 she was a member of the Superior Council of the UNR and in 2012 she founded the Centro Cultural y Galería de Arte DOSCUARTOS, a place that worked until mid-2016. María Sol also has participated as a jury and evaluation committee in various competitions and she obtained awards and mentions in photography. She made several workshops, seminars and clinics.
From 2016 to 2017 she worked as Secretary of Interinstitutional Relations in the College of Architects of District 2.

 

·Marianela Casado (Argentina)

In 2010, she began her studies in Anthropology at the Faculty of Humanities and Arts of the National University of Rosario, UNR. Since 2011 she was part of a neighborhood work group called the Popular Education Group, with which she carried out university extension work in various peripheral neighborhoods of the city of Rosario. Some of the projects that she have been guiding are: Sembrando Realidades and Está por ver. In 2015, she coordinated the Popular Education Group and held an adult literacy program called “Yo sí Puedo” in the Ludueña neighborhood. Currently, she is part of the Course ‘Curriculum and Didactics of Teachers in Anthropology’ as an Assistant Professor and is a graduate member of the Center for Philosophical, Historical and Anthropological Studies in Education, UNR. Her thesis is a research within the area called Urban Anthropology. In 2017, she began an investigation based on a neighborhood in the city of Rosario that is in the process of being privatized.

 

·Lucas Tibaldi (Argentina)

Tibaldi studied Statistics for 5 years and in 2007 he began his studies as an architect in the Faculty of Architecture, Planning and Design of the National University of Rosario, UNR.
At the same time, he began to investigate and train in visual arts with Professor P. Silquiti (2007) and the Lic. in Fine Arts: V. Gómez Haid (2008-2009). In the following years he exhibited his first artistic productions individually and collectively, as well as he participated as a collaborator in the construction of sculptures by the artist Dante Taparelli. In 2017 he entered in the Municipal School of Plastic Arts Manuel Musto, where he attended art history workshops: Avant-garde of the 20th Century and Contemporary Art by Nancy Rojas and Silvia Ferrari.
In this same year and up to the present, he carried out a clinic for the work of the visual artist Mauro Guzmán, which allowed him to enter into the investigation of contemporary art. In 2017 he was selected to participate in a Workshop on MACRO coordinated by Leticia Obeid.

 

·Tamara Ascanio (Spain)

Ascanio is researcher and scenic creator, performer and singer. Graduated in Drama Art (2010), Master in scenic practice and visual culture by (MPECV) and ARTEA (2013, Madrid).
In 2012 participates as a performer in the piece Untitled, Still Life, by Borralho & Joao Galante. Ascanio studied at MPECV where she developed Zoom, her first work as a creator. In 2014 she participates in the seminar Teatralidades Expandidas programed by ARTEA giving as a result the performance Cocina en Directo in collaboration with Mariona Naudin and Marta Batisttella. The same year Tamara is selected for the program of the artists in residence from La Casa Encendida together with CA2M, there is where she starts La Voz Transparente, a long research developed along Leal Lav (Tenerife), La Caldera (Barcelona) at currently at Centro Negra (Murcia).
Her scenic research work is characterized by navigating in the hidden territory of our daily reality and his fascination with the experience of estrangement. Lover of a slow temporality that expands, necessary to optimize our perception and deepen it. Silence and sound composition in real time have a fundamental presence in Tamara´s work.

This residency is supported partially by Canarias Crea.

 

·Tiana Hemlock-Yensen (Australia / Germany)

Tiana is a dancer, writer, choreographer, teacher graduated from the S.N.D.O, Amsterdam in 2016 with a bachelor in Choreography. Before moving to Europe she performed and made work in NYC from 2008- 2012. She has a deep interest in the intimate and personal while continually questioning whether there is anything concrete about being a person anyway. Her works are informed by ritual and obsession, by intense physical practices, by extensive reading and by looking to identify the specific machines and constructions that we coproduce ourselves with. She is generating site specific performance work during her AADK residency in Murcia, Spain supported in part by the European Cultural Foundation’s STEP Travel Grant. She looks for and works around how to build meaningful fictions and connections of all kinds for the futures. Tiana is currently part of the Klein Technique Teacher Certification Program and is making her own work as well as touring as a dancer in Europe and the world. Tiana has the pleasure of often working with and/or performing for Cristina Kristal Rizzo, Oneka von Schrader, Giulio D’Anna, Juli Reinhartz, Jeremy Wade and Benjamin Kamino and continues to draw physical and artistic inspiration from Maria F. Scaroni, Judith Sanchez Ruiz, Katie Duck, Ria Higler and Susan T. Klein.

This residency is supported partially by the STEP Travel Grant financed by European Cultural Foundation.

 

·Ron Wild (Canada)

Ron is an artist living in Toronto, often collaborating with mathematicians, scientists, and medical researchers. These collaborations facilitate the melding together of disparate processes, ideas, and contexts toward the goal of new discovery. A cross-camp runner, transporting ideas from one silo of expertise to another, he not only cross-pollinates original ideas, but also illustrates the lateral thinking explorations that spawned them in the first place. Rapid prototyping enables a fearless ‘let’s see what happens’ mode of playful experimentation and development in Wild’s work. Ron’s most widely known for his unique ‘smART Map’ digital mashups incorporating 80-100 layers of icons, graphics, and opaque background images. His Raw’n’ Wild signature montage style evolved from a personal visual note keeping system he developed while prototyping graphical user interfaces in the computer industry.
Now he actively explores ‘Digit All’ capabilities including; CNC (computer numerical control), interactive / programmable (Internet of Things), smart phone apps, virtual graffiti, projection, and 3D printing. An active portfolio of long term projects includes; Map of the Great Ideas (information mapping interface), MAPSwithOUTborders (‘No Compromise’ alternative dispute resolutions), LazyR Cutting (public art stencils), Tensegrity (cardboard tube structures), The Arctic Circle Expedition (Facebook group concerning global warming and single-use plastic pollution), WallBridge and Bottled Water Glacier (public art sculpture / structure), lenticular and anamorphic projections. Ron has been Artist-in-residence at the Banff Centre (Canada), Canadian Film Centre Media Lab (Toronto), Foundacion Vasarely (France), the Arctic Circle Expedition (Norway), and AADK Centro Negra (Spain).

 


On May 19th, AADK Spain participates with the works of the Artists in Residence of May, in Blanca Museum’s day. Different installations / interventions in the streets of Blanca, at Centro Negra and its surroundings, photography and video exhibition at EDOM, as well as the projection of artworks made in 2016 and 2017, en Victoria Theater, will be part of this artistic itinerary:

 

Streets of Blanca

At 12.30 pm. Performance. Tiana Hemlock-Yensen. (Germany / Australia). Calle de la Iglesia 6.

From 12.00 pm to 10.00 pm. Installations / Interventions:

·Mara Marxt and Tyler Lewis (Scotland); at the cross of the streets: Calle de la Merced, and Calle Esperanza del Castillo.

·Ron Wild (Canada); Address: Calle Nueva.

·Marianela Casado y Lucas Tibaldi (Argentina). Address: Calle Rafael Molina. (Beside Centro Negra)

 

EDOM. 12.00 pm – 2.00 pm / 5.00 pm – 8.00 pm. Address: Calle Ortega y Gasset.

·Sol Depetris y Ezequiel Manasseri (Argentina); Fotography.

·Tamara Ascanio (Spain); Video-performance.

 

Teatro Victoria. 2.00 pm / 5.00 pm – 8.00 pm. Entrance of Calle Ortega y Gasset.

·Video-projection of the artworks created by AADK artists in 2016 and 2017

Pietá. Abraham Hurtado (Spain)

Terrain. Daniel Gwirtzman (U.S.A.)

Phoenix Dactilífera. Carlos Cartama (Spain)

Deserts. Anders Bigum y Troels Primdahl (Denmark / Germany)

Sonora. Collective Creation Experience with children from 4 to 6 years old (Blanca)

 

Centro Negra. From 9.00 pm

Artwork of the artists in residence.

Performance by Tiana Hemlock-Yensen. (Germany / Australia).

Open Canteen and music by Dj P#


The Reflecting Group Dakar derives from a tangible urgency to conceive of the global conditions of artistic production today. It applies a format of self-education, sharing and (un)learning, in order to grasp a complex condition that is intrinsically linked to our own ‘normative’ working contexts.

From its very outset, the DAK’ART Biennale has put a special emphasis on territorial, pan-african and international networks and exchange. But also in Europe, debates on the African Diaspora and the postcolonial condition have reached a new critical peak, ever since the “Humboldt Forum” came into being in the heart of Berlin. It’s “The Red hour. The hour of reason”, claims the title of this year’s biennial. With our trip to Dakar, we want to respond to this call, eager to challenge our critical tools in this field and to grow our sensitivity towards a world in which the “global” and “international” are just about to gain their full meaning and complexity.

Our main goal is to gain hands-on experience with the cultural working context in Senegal and the African context at large. In line with the mission of the “Reflecting Group”, this will take shape through a series of meetings/workshops with artists and cultural experts, as well as through exploring various sites of productions (studios, institutions, off-spaces, etc.). It also involves a (collective) documentation process on site that leads to a swift sharing of the project with the network.

Our shared interest is the relationship between the arts/culture and the society that surrounds it. In the context of Dakar, this leads to a number of specific questions, e.g. the dynamics between official institutions, state and private fundings, self-organisation, activism and underground culture. It also propels questions about sustainability, long-term thinking and the urge to develop alternate structures of arts and education.

In this context Elena Azzedin will mediate the work “Exploring The Sonic Cosmologies of Halim El-Dabh” curated by Bonaventure Soh Bejeng Ndikung (CM/DE), Kamila Metwaly (EG/PL), and Marie Hélène Pereira (SN), an exhibition project that aims to serve as a platform for deliberations and experimentations as – to what is and where is sound art in contemporary African art.

http://savvy-contemporary.com/

 


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