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{"id":1146,"date":"2020-06-18T17:55:11","date_gmt":"2020-06-18T15:55:11","guid":{"rendered":"http:\/\/aadk.es\/?page_id=1146"},"modified":"2025-02-09T13:21:30","modified_gmt":"2025-02-09T12:21:30","slug":"team","status":"publish","type":"page","link":"https:\/\/aadk.es\/team\/?lang=en","title":{"rendered":"Team"},"content":{"rendered":"<p>[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbgrid\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb z_index=\u00bb\u00bb anchor=\u00bbquienes-somos\u00bb css=\u00bb.vc_custom_1588344598454{padding-top: 100px !important;}\u00bb el_id=\u00bbcomunidad\u00bb][vc_column][vc_column_text]<\/p>\n<h2 style=\"text-align: center;\">AADK Spain is the result of<br \/>\nthe joint effort<br \/>\nof all its participants<\/h2>\n<p>[\/vc_column_text][vc_separator type=\u00bbnormal\u00bb][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><strong>Direction Team<\/strong><\/p>\n<p style=\"text-align: center;\">Elena Azzedin | Juan Conesa | Selu Herraiz<\/p>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><strong>Announcement<\/strong><\/p>\n<p style=\"text-align: center;\">With deep sorrow, we announce the passing of Abraham Hurtado, who left us on December 10, 2024. His vision, leadership, and dedication were essential to the growth of AADK, leaving behind a legacy that will endure over time. We sincerely thank all those who have expressed their condolences, and we stand in solidarity with his family and loved ones.<\/p>\n<p style=\"text-align: center;\">A friend, family member, colleague, and artistic director of this cultural and vital project that is AADK Spain. We say goodbye with pain and disbelief, sadness and disorientation, but also with the joy of knowing that his life was full, that he never stopped loving what he did, and he never stopped creating. His motivation was action, the stirring of independent culture. As he often said: *\u00bbWe have lived!\u00bb*\u2014and he was, without a doubt, an example of vitality until his last moments. His legacy is that unstoppable force. Thank you.<\/p>\n<p style=\"text-align: center;\">We hold on to the warmth of his hugs, his care, his boundless creativity, the little details of everyday life, his passion and enthusiasm, his courage in making decisions, his ability to innovate while deeply respecting tradition, his love for the land, and the countless hours we shared shaping this project together.<\/p>\n<p style=\"text-align: center;\">With deep love from all of us who are and have been part of this team, we say goodbye to a truly special soul.<\/p>\n<p>[\/vc_column_text][vc_empty_space][vc_separator type=\u00bbnormal\u00bb][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb el_id=\u00bbcomunidad-2&#8243; z_index=\u00bb\u00bb][vc_column width=\u00bb1\/2&#8243;][vc_accordion active_tab=\u00bbfalse\u00bb collapsible=\u00bbyes\u00bb style=\u00bbaccordion\u00bb][vc_accordion_tab title=\u00bbElena Azzed\u00edn<\/p>\n<h4>Executive Leadership | Art &amp; Curatorship<\/h4>\n<p>\u00ab][vc_column_text]Artist, Program Director and Independent Curator. Elena develops multiple facets in the field of contemporary art, with a special interest in its educational, political and social aspects. She collaborates in festivals, biennials and art collectives nationally and internationally.<\/p>\n<p>As an artist, she creates urban interventions and relational art pieces. She has been selected in national festivals such as REC and Imagina, as well as international, such as Warsztaty Kultury (Lublin), Katowice City of Gardens (Katowice) and The Gathering Rehearsal (Falun), among others.<\/p>\n<p>She co-founded the project, Memorias Celuloides, National Network of Domestic Cinema; Medusa Mediation, a collective for learning through art; and Mucho M\u00e1s Mayo, a contemporary art festival in Cartagena. Moreover, she was the Production Coordinator of the Parallel Events of the Manifesta 8 Biennial, where she also curated the section of Institutional Projects.<\/p>\n<p>Elena has participated in the design and coordination of several national and European granted projects, such as \u00bfQui\u00e9n da la vuelta a la Tortilla? G\u00e9nero y roles en las colecciones de tres museos de Bellas Artes and Moabiter Mix of the European program, Actors of Urban Change.[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][vc_accordion active_tab=\u00bbfalse\u00bb collapsible=\u00bbyes\u00bb style=\u00bbaccordion\u00bb][vc_accordion_tab title=\u00bbSelu Herr\u00e1iz<\/p>\n<h4>Art Direction &amp; Projects | Curatorship<\/h4>\n<p>\u00ab][vc_column_text]Selu Herraiz is an artist, curator and art educator. Co-founder of Aldarrax Label and artistic director of Rota \u2013rare music\u00a0festival\u2013. They conceptualized and directed Sonora-School of Experimentation, an educational project by AADK Spain funded by the Daniel and Nina Carasso Foundation from 2017 to 2020, aimed at facilitating sound practices in the rural environment of the Ricote Valley (Murcia, Spain).<\/p>\n<p>Selu studied Electronic Engineering. They practice art as an excuse to inhabit and seek to integrate the creative act into daily life to activate social transformation and stimulate critical thinking. Immersed in a trans-disciplinary research and especially focused on sound, They combine his personal investigation with the design of educational experiences, addressing creation in close relationship with the territory and communities.<\/p>\n<p>Their work has been showcased in spaces and festivals such as Morphine Raum, Arkaoda, 90mil, Hau, Zero Point (all in Berlin), Ayrarat (Yerevan), Worm Studio (Rotterdam), Tsonami (Valparaiso, Chile), Qu-o2 (Brussels), Tanz Kongress 2019 (Dresden), Festival Cumplicidades (Lisbon), Media Art Festival (Leeuwarden), Media Lab Prado, MNCA Reina Sof\u00eda (Madrid), among others in cities like Palermo (Italy), Riga (Latvia), Barcelona (Spain), Toulouse and Lille (France), Katowice (Poland), Fanlo (Sweden), or C\u00f3rdoba (Argentina).[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][vc_accordion active_tab=\u00bbfalse\u00bb collapsible=\u00bbyes\u00bb style=\u00bbaccordion\u00bb][vc_accordion_tab title=\u00bbHanna Szab\u00f3<\/p>\n<h4>Former General Manager, Responsible for Digital Archive (2019-2022)<\/h4>\n<p>\u00ab][vc_column_text]<a href=\"https:\/\/szabohannarita.wixsite.com\/my-site\" target=\"_blank\" rel=\"noopener noreferrer\">Hanna Szab\u00f3<\/a> is a creative thinker experienced in content writing and in project management at cultural organisations, with a background in communications and in art and design management. She has collaborated with various initiatives in Budapest (HU) and is currently based in Spain as a member of AADK Spain&#8217;s team.[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][\/vc_column][vc_column width=\u00bb1\/2&#8243;][vc_accordion active_tab=\u00bbfalse\u00bb collapsible=\u00bbyes\u00bb style=\u00bbaccordion\u00bb][vc_accordion_tab title=\u00bbJuan Conesa<\/p>\n<h4>Production Management | Art &amp; Spatiality<\/h4>\n<p>\u00ab][vc_column_text]Visual artist, eclectic and self-taught.Juan&#8217;s work combines techniques from multiple disciplines. He began his career dedicated to film production and set design but has also beautified many a shop window through multiple visual merchandising projects throughout his career.. Through his intuition, color sensitivity and interest in experimenting, Juan investigates the possibilities of transforming spaces. He is interested in the concepts of appearance and versatility as triggers to create different ways of inhabiting architecture. Nowadays, he devotes much of his time and talent to landscaping and interior design. He is the architectural and spatial mind behind the project, focusing mainly on the <em>La Pe\u00f1a Negra<\/em> project, which addresses the rehabilitation of the old town of Blanca, where the <em>Centro Negra<\/em> is located.[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][vc_accordion active_tab=\u00bbfalse\u00bb collapsible=\u00bbyes\u00bb style=\u00bbaccordion\u00bb][vc_accordion_tab title=\u00bbGiuliana Grippo<\/p>\n<h4>General Manager<\/h4>\n<p>\u00ab][vc_column_text]Visual Artist, cultural and communications manager. She holds a degree in Graphic Design from the University of Buenos Aires (UBA), where she also collaborated as a lecturer for several years. Given her interest in the conceptual analysis of creative processes, she also completed a Master&#8217;s degree in Theory and Research of Project Disciplines at the same university.<br \/>\nAs an artist, she has an interdisciplinary approach based on the idea of translating tactile information. Through it, she develops works where morphology suggests the consequence of accumulated events.<br \/>\nAs a designer, she has worked on numerous artist catalogues as well as editorials.<br \/>\nSince 2017, she has worked independently as a Project Consultant and Content Writer and Editor.[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][vc_accordion active_tab=\u00bbfalse\u00bb collapsible=\u00bbyes\u00bb style=\u00bbaccordion\u00bb][vc_accordion_tab title=\u00bbAbraham Hurtado<\/p>\n<h4>Founder<\/h4>\n<p>\u00ab][vc_column_text]Hurtado understands the body as the container of the emotions, both personal and social; Generating patterns of \u201cantisocial behavior\u201d, states that Abraham explores as a paths to find other ways to operate, to adapt and survive the contemporary society. Fictionary atmospheres are often the settings in which the bodies are installed, as a counterbalance of disillusion that are constantly shadowing our current times. His practices focus on discomfort as is constantly mirroring us, addressing, through the individual experience, problems which are political and symptomatic. If the personal is political, the political invades the core of every individual.<\/p>\n<p>As curator, he has carried out and participated in: Dissected Mica Moca Project (Berlin), three editions of the \u201cUnexpected\u201d Festival (Berlin, 2010-12), two editions of the Fenomens Festival (Barcelona, 2015-17), Experimental Section of the IBAFF Film Festival ( 2016), International Contemporary Dance Festival Cumplicidades (Lisbon, 2018).<br \/>\nSince 2005 collaborate with the artist Meg Stuart and her company Meg Stuart \/ Damaged Goods.[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb el_id=\u00bbcomunidad-3&#8243; z_index=\u00bb\u00bb][vc_column width=\u00bb1\/2&#8243;][\/vc_column][vc_column width=\u00bb1\/2&#8243;][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbgrid\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb z_index=\u00bb\u00bb anchor=\u00bbhistoria\u00bb css=\u00bb.vc_custom_1588345810384{padding-top: 10px !important;}\u00bb el_id=\u00bbcomunidad-3&#8243;][vc_column][vc_column_text]<\/p>\n<h2><span style=\"text-decoration: underline;\">Current Collaborators<\/span><\/h2>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbgrid\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb z_index=\u00bb\u00bb anchor=\u00bbhistoria\u00bb css=\u00bb.vc_custom_1588345810384{padding-top: 10px !important;}\u00bb][vc_column width=\u00bb1\/3&#8243;][vc_column_text]<strong>Annie Chiclano<\/strong><br \/>\n<span class=\"cargo-amigo\">Cultural Mediator\u00a0<\/span><\/p>\n<p><span class=\"cargo-amigo\">Communication Assistance<\/span><\/p>\n<p>[\/vc_column_text][vc_empty_space height=\u00bb64px\u00bb][\/vc_column][vc_column width=\u00bb1\/3&#8243;][vc_column_text]<strong>Andr\u00e9s Agudelo Ganem<\/strong><br \/>\n<span class=\"cargo-amigo\">Adviser and Mediator\u00a0<\/span>[\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/3&#8243;][vc_column_text]<strong>Ami Kohara<\/strong><br \/>\n<span class=\"cargo-amigo\">Digital Archive\u00a0<\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbgrid\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb z_index=\u00bb\u00bb anchor=\u00bbhistoria\u00bb css=\u00bb.vc_custom_1588345810384{padding-top: 10px !important;}\u00bb][vc_column][vc_column_text]<\/p>\n<h2><span style=\"text-decoration: underline;\">Previous Collaborators<\/span><\/h2>\n<p>[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb el_id=\u00bbcomunidad-4&#8243; z_index=\u00bb\u00bb][vc_column width=\u00bb1\/3&#8243;][vc_column_text]Berke Halman<br \/>\n<span class=\"cargo-amigo\">Documentation &amp; Communication <\/span>[\/vc_column_text][vc_column_text]Elena Stolberg<br \/>\n<span class=\"cargo-amigo\">Cultural Management <\/span>[\/vc_column_text][vc_column_text]Harry Bullen<br \/>\n<span class=\"cargo-amigo\">Archiving &amp; Design<\/span>[\/vc_column_text][vc_column_text]Hayal Gezer<br \/>\n<span class=\"cargo-amigo\">Documentation &amp; Communication <\/span><\/p>\n<p>[\/vc_column_text][vc_column_text]Ilyas Chhima<br \/>\n<span class=\"cargo-amigo\">Cultural Management <\/span>[\/vc_column_text][vc_column_text]Tracey Tomtene<br \/>\n<span class=\"cargo-amigo\">Communication and Photography <\/span>[\/vc_column_text][vc_column_text]Jessica Storey<br \/>\n<span class=\"cargo-amigo\">Cultural Management <\/span>[\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/3&#8243;][vc_column_text]Klara Menzel<br \/>\n<span class=\"cargo-amigo\">Cultural Management <\/span>[\/vc_column_text][vc_column_text]Kotryna Valiukeviciute<br \/>\n<span class=\"cargo-amigo\">Cultural Management <\/span>[\/vc_column_text][vc_column_text]Javier Fuentes<br \/>\n<span class=\"cargo-amigo\">Cultural Advisor<\/span>[\/vc_column_text][vc_column_text]Leyla Aliyeva<br \/>\n<span class=\"cargo-amigo\">Cultural Management <\/span>[\/vc_column_text][vc_column_text]Maria Luc<br \/>\n<span class=\"cargo-amigo\">Documentation &amp; Communication <\/span>[\/vc_column_text][vc_column_text]Marisa Pschorr<br \/>\n<span class=\"cargo-amigo\">Cultural Management <\/span>[\/vc_column_text][vc_column_text]Marta Stefan\u00eda Murkowska<br \/>\n<span class=\"cargo-amigo\">Cultural Management <\/span>[\/vc_column_text][vc_column_text]Merve Ozcan<br \/>\n<span class=\"cargo-amigo\">Communication and Design <\/span>[\/vc_column_text][vc_column_text]Virginia Hernandez<br \/>\n<span class=\"cargo-amigo\">Communication<\/span>[\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/3&#8243;][vc_column_text]Mona Arafat<br \/>\n<span class=\"cargo-amigo\">Cultural Management <\/span>[\/vc_column_text][vc_column_text]Ruben Molina Martinez<br \/>\n<span class=\"cargo-amigo\">Documentation <\/span>[\/vc_column_text][vc_column_text]Selin Genc<br \/>\n<span class=\"cargo-amigo\">Cultural Management <\/span>[\/vc_column_text][vc_column_text]Serra Gungor<br \/>\n<span class=\"cargo-amigo\">Communication <\/span>[\/vc_column_text][vc_column_text]Shirin K\u00e4fer<br \/>\n<span class=\"cargo-amigo\">Cultural Management <\/span>[\/vc_column_text][vc_column_text]Szab\u00f3 Hanna<br \/>\n<span class=\"cargo-amigo\">Archiving &amp; Cultural Management <\/span>[\/vc_column_text][vc_column_text]Michele Palladino<br \/>\n<span class=\"cargo-amigo\">Production &amp; Social Media<\/span>[\/vc_column_text][vc_column_text]Josman Parimaker<br \/>\n<span class=\"cargo-amigo\">Technician<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbyes\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb css=\u00bb.vc_custom_1588347909266{padding-top: 100px !important;padding-bottom: 100px !important;}\u00bb z_index=\u00bb\u00bb el_id=\u00bbcomunidad-5&#8243;][vc_column][vc_column_text el_class=\u00bbinfo_contactfooter_page\u00bb]<\/p>\n<p style=\"text-align: left;\"><em>We warmly thank all those who have shared their knowledge and worked with us during all these years.<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbgrid\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb z_index=\u00bb\u00bb anchor=\u00bbquienes-somos\u00bb css=\u00bb.vc_custom_1588344598454{padding-top: 100px !important;}\u00bb el_id=\u00bbcomunidad\u00bb][vc_column][vc_column_text] AADK Spain is the result of the joint effort of all its participants [\/vc_column_text][vc_separator type=\u00bbnormal\u00bb][vc_column_text] Direction Team Elena Azzedin | Juan Conesa | Selu Herraiz [\/vc_column_text][vc_empty_space][vc_column_text] Announcement With deep sorrow, we&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_oct_exclude_from_cache":false,"footnotes":""},"acf":[],"_links":{"self":[{"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/pages\/1146"}],"collection":[{"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/comments?post=1146"}],"version-history":[{"count":35,"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/pages\/1146\/revisions"}],"predecessor-version":[{"id":11841,"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/pages\/1146\/revisions\/11841"}],"wp:attachment":[{"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/media?parent=1146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}