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{"id":4284,"date":"2019-04-28T09:32:45","date_gmt":"2019-04-28T07:32:45","guid":{"rendered":"https:\/\/aadk.es\/dorothy-cheung\/"},"modified":"2021-04-13T15:38:32","modified_gmt":"2021-04-13T13:38:32","slug":"dorothy-cheung","status":"publish","type":"post","link":"https:\/\/aadk.es\/dorothy-cheung\/?lang=en","title":{"rendered":"Dorothy Cheung"},"content":{"rendered":"[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column][vc_empty_space][vc_column_text]<\/p>\n
Residency period: September-October 2019
\nWebsite<\/a><\/p>\n
[\/vc_column_text][vc_empty_space][vc_column_text]September 2019<\/em><\/p>\n
Dorothy Cheung is working in collaboration with Beatriz Gij\u00f3n and Julia de Rosenwerth on a video installation that explores the relationship between human bodies and nature.
\nThe camera becomes a witness and companion of the body fragments that unusually venture into understanding the landscape and deepen its tactile and sonic qualities.<\/p>\n
Much of Dorothy’s work is expressed through the moving image. When Dorothy is behind the camera, she always does it from an ethical approach, trying to gauge what the distance and proximity to establish with the subject portrayed is. For this reason, she often places the camera on the tripod and lets the subjects make the decision of what they want to deliver to the frame.<\/p>\n
While Julia Rosenwerth dives into the tactile exploration, Beatriz Gij\u00f3n, has generated the sound composition of the videos with field recordings and her piano music to highlight the tactile qualities of the landscape through the auditory.[\/vc_column_text][vc_empty_space][vc_gallery interval=\u00bb0″ images=\u00bb4130,4128,4126″ show_image_description=\u00bbyes\u00bb][vc_empty_space][vc_column_text]October 2019<\/em><\/p>\n
Monologue of the Promised Fruit is a moving image installation, that consists of pickled lemons and a video reflecting on the process, and the notion of unwanted. After being in Blanca for 2 months, she is still amazed by the abundance of land here \u2013 the unlimited lemons, figs and other produces, and most of the time these lemons just fall and rot on the ground. This abundance shapes her memory here in Blanca, but often she identifies herself with these unwanted lemons.<\/p>\n
The video reflects on the bitterness in life, that very often lemon is being taken as a metaphor for, and how to pickle, or transform such emotion into something else.<\/p>\n
Visitors can take pickled lemon and enzyme cleaner if they wish.[\/vc_column_text][vc_empty_space][vc_gallery interval=\u00bb0″ images=\u00bb4132,4140,4134,4138″ show_image_description=\u00bbyes\u00bb][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbcenter\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb z_index=\u00bb\u00bb][vc_column][vc_empty_space height=\u00bb64px\u00bb][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column][vc_empty_space][vc_column_text] Residency period: September-October 2019 Website [\/vc_column_text][vc_empty_space][vc_column_text]September 2019 Dorothy Cheung is working in collaboration with Beatriz Gij\u00f3n and Julia de Rosenwerth on a video installation that explores the relationship between human bodies and nature. The camera becomes a…<\/p>\n","protected":false},"author":3,"featured_media":4137,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_oct_exclude_from_cache":false,"footnotes":""},"categories":[22,37],"tags":[144,477,262,479,478,207,238,248,246,257,235,392,462,146],"acf":[],"_links":{"self":[{"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/posts\/4284"}],"collection":[{"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/comments?post=4284"}],"version-history":[{"count":2,"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/posts\/4284\/revisions"}],"predecessor-version":[{"id":4286,"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/posts\/4284\/revisions\/4286"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/media\/4137"}],"wp:attachment":[{"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/media?parent=4284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/categories?post=4284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/tags?post=4284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}