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{"id":6671,"date":"2017-06-01T12:50:18","date_gmt":"2017-06-01T10:50:18","guid":{"rendered":"https:\/\/aadk.es\/?p=6671"},"modified":"2023-07-10T20:19:52","modified_gmt":"2023-07-10T18:19:52","slug":"sara-vaz","status":"publish","type":"post","link":"https:\/\/aadk.es\/sara-vaz\/","title":{"rendered":"Sara Vaz"},"content":{"rendered":"[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column][vc_empty_space][vc_column_text]<\/p>\n
Per\u00edodo de residencia: Junio 2017<\/p>\n
http:\/\/saravaz.com<\/a><\/p>\n
[\/vc_column_text][vc_empty_space][vc_column_text]Sara Vaz toma como referencia el concepto cinematogr\u00e1fico de montaje a trav\u00e9s de los di\u00e1logos entre los cineastas J.L Godard y M. Duras. Investiga sobre los modos de construcci\u00f3n de una historia, sobre las bifurcaciones que se presenta al iniciar un relato.
\nPara Godard, el texto, el gui\u00f3n, oprime. Para Duras, el texto abre. \u201cTe encuentras enfrentando lo invisible\u201d dice Godard, expresando la incertidumbre de la p\u00e1gina en blanco, del inicio y sus infinitas posibilidades.
\nEl trabajo de Sara traslada esta incertidumbre a su territorio: el cuerpo y su performatividad. La artista construye una pieza en la que la acci\u00f3n y el relato se suceden en capas paralelas, coincidentes tan solo por instantes. Es una superposici\u00f3n de capas de sentido que por momentos encajan y por momentos, no.
\nConstruyendo personajes m\u00faltiples, difusos y atmosf\u00e9ricos, Sara encarna una historia, su historia, o la del p\u00fablico, pero una historia siempre fragmentada.
\nLa puesta en escena es una serie de elementos t\u00e9cnicos en reposo, esperando a ser activados. Es vers\u00e1til y reconfigurable. Deja entrever la tecnolog\u00eda como un elemento codificador de la acci\u00f3n, de los movimientos, y entonces, de la propia narrativa.
\nLa pieza de Sara es un trabajo de escritura en cont\u00ednuo proceso.[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbcenter\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb z_index=\u00bb\u00bb][vc_column][vc_gallery interval=\u00bb0″ images=\u00bb6667,6663,6669,6661,6665″ img_size=\u00bbfull\u00bb show_image_description=\u00bbyes\u00bb][vc_empty_space height=\u00bb64px\u00bb][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbfull_width\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb][vc_column][vc_empty_space][vc_column_text] Per\u00edodo de residencia: Junio 2017 http:\/\/saravaz.com [\/vc_column_text][vc_empty_space][vc_column_text]Sara Vaz toma como referencia el concepto cinematogr\u00e1fico de montaje a trav\u00e9s de los di\u00e1logos entre los cineastas J.L Godard y M. Duras. Investiga sobre los modos de construcci\u00f3n de una…<\/p>\n","protected":false},"author":3,"featured_media":6661,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_oct_exclude_from_cache":false,"footnotes":""},"categories":[38],"tags":[945,141,947,946,86],"acf":[],"_links":{"self":[{"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/posts\/6671"}],"collection":[{"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/comments?post=6671"}],"version-history":[{"count":3,"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/posts\/6671\/revisions"}],"predecessor-version":[{"id":6680,"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/posts\/6671\/revisions\/6680"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/media\/6661"}],"wp:attachment":[{"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/media?parent=6671"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/categories?post=6671"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aadk.es\/wp-json\/wp\/v2\/tags?post=6671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}