01 Aug Tiana Hemlock–Yensen
Programa de Residencias: Agosto 2016
Ursula studies the phenomenon of rhythm as a universal language, uniting representations of these beats, in images, texts, sounds or movements.
Bravo wonders how is this entity, sound, that moves us and crosses us throughout the centuries and all cultures. What happens in our brain to make us surrender without remedy to its rhythms, what are its hands made of when it grabs our heart. During this period he is experimenting with ways of capturing the image of sound.
Through small artifacts that she composes herself, and fixing the image on photographic paper, she looks for patterns that confirm to her that it is possible to create a new pentagram based on the body of sound.
She tries to apprehend the nature of sound empirically, to make its form visible. Far from relying on the explanations of science, Ursula creates her own means to make visible its frequencies, a pataphysical approach that seeks the essence common to all sound, and a constant, however remote it may be, that can explain its influence on the human being.
